Writings on Scott Burton’s Art and Performance
An early encounter with Scott Burton’s Bronze Chair at the Allen Memorial Art Museum at Oberlin College as an undergraduate student unfolded into a decades-long research project on the artist and his legacy.
Scott Burton’s Bronze Chair (1975/79) in the exhibition Presence in Minimal and Post-Minimal Art, curated by David Getsy for the Allen Memorial Art Museum at Oberlin College in 1995.
Other works (from left to right after Burton): David Diao, Untitled (1969); Jackie Winsor, Four Corners (1972); Richard Tuttle, Water (1965); Donald Judd, Untitled (1976); and Richard Serra, Two Cuts (1971)
On Scott Burton in the 1960s (introductions)
On Scott Burton in the 1970s (books)
Queer Behavior: Scott Burton and Performance Art (University of Chicago Press, 2022).
[Note: the chapters of this book have not been published elsewhere]Scott Burton: Collected Writings on Art and Performance, 1965–1975 (Soberscove Press, 2012)
Magic Episodes and Other Synchronicities: The Transhemispheric Correspondence of Scott Burton and Eduardo Costa (forthcoming May 2026 from Ugly Duckling Presse)
On Scott Burton in the 1980s (essays)
“Appearing Asymptomatic: Scott Burton’s Public Art and the Knowledge of AIDS,” American Art 39, no. 3 (Fall 2025): 54–83.
“Illegitimate Heirs: Queer Artists’ Claims on the Modernist Canon,” forthcoming in 2026 from a peer-reviewed journal
Selected lectures on Scott Burton’s work
“Queer Behavior: Scott Burton and Performance Art”
Robert Motherwell Book Award Lecture
Artists Space, New York, 15 December 2023
“Public Affections—The Revelations of Scott Burton’s Last Works”
Art Institute of Chicago, 9 October 2025