Art Criticism and book reviews

“McArthur Binion at Gray Warehouse,” Artforum (January/February 2021).

Review of Katharine Eustace, Mark Stocker, and Joanna Barnes, eds., Sculpting Art History: Essays in Memory of Benedict Read (Liverpool: Liverpool University Press in association with the Public Monuments and Sculpture Association, 2018), The Burlington Magazine 162 (November 2019): 1009.

“José Santiago Pérez at the Roman Susan Art Foundation,” Artforum (April 2020): 175-76.

Review of Dominic Johnson, ed., Pleading in the Blood: The Art and Performance of Ron Athey (Bristol and London: Intellect Books and Live Art Development Agency, 2013), Contemporary Theatre Review 24, no. 3 (July 2014): 397-98.

Review of Bernard Barryte and Roberta K. Tarbell, eds., Rodin and America: Influence and Adaptation 1876-1936 (Stanford, California: Cantor Center for Visual Arts / Silvana Editoriale, 2011), Burlington Magazine 154, no. 1316 (November 2012), 801.

“Modernist Sculpture and the Maternal Body,” review of Anne Wagner, Mother Stone: The Vitality of Modern British Sculpture(Yale, 2005) Art History 31, no. 2 (April 2008): 265-70.

“Refiguring Rodin,” review essay on Albert Elsen with Rosalyn Frankel Jamison, Rodin’s Art (Oxford, 2003) and Claudine Mitchell et al., Rodin: The Zola of Sculpture (Ashgate, 2003), Oxford Art Journal 28, no. 1 (March 2005): 131-35.

“Locating Modern Art in Britain,” review essay on recent literature, Art Journal 60, no. 4 (Winter 2001): 98-102.

“The Reconstruction of the Francis Bacon Studio in Dublin,” Documents 22 (Fall 2002): 65-69.