Forthcoming and REcENT Publications


Publications forthcoming in 2027

“Illegitimate Heirs: Queer Artists’ Claims on the Modernist Canon,” ASAP/Journal 11, no. 2 (forthcoming 2027).

“Chains of Love: A Vision of Queer Art History as Exquisite Corpse,” in Alex Zivkovic, ed., Queer Surrealism: Methods for Art and Life, 1924–2024 (Manchester University Press, forthcoming 2027).

“The Excluded Middle: Lynda Benglis’s Nonbinarisms,” in Lynda Benglis, exh. cat., Kunstmuseum Basel, Louisiana Museum of Modern Art, and Tate Modern (London: Tate Publications, forthcoming 2027)

“Five Stories of Queer Abstraction for Art History,” Routledge Companion to Queer Art History, edited by Jonathan D. Katz and Carolyn Trench (New York: Routledge, forthcoming 2027).

Publications that appeared in 2025–2026

Magic Episodes and Other Synchronicities: The Transhemispheric Correspondence of Scott Burton and Eduardo Costa, 1970–1980, co-edited with Patrick Greaney. New York: Ugly Duckling Presse, 2026.
• Extract published in Artforum (September 2026): 21–22, 25, 159.

“A Modest Proposal,” as part of the forum “Our Own National Garden of American Heroes,” ed. Leah Dickerman, David Joselit, and Pamela Lee, October 197 (Summer 2026): 33–35.

Life After Death: Peter Hujar’s Last New York Statement,” Artforum.com (4 May 2026)

Scott Burton,” artist page, Museum of Modern Art, online catalogue (2026)

Appearing Asymptomatic: Scott Burton’s Public Art and the Knowledge of AIDS,” American Art 39, no. 3 (Fall 2025): 54–83. [Limited-use LINK to download PDF. Please use only once to download, as this link has a limit of the number of times it can be visited.]

“Queer Life and Its Avoidance in the Art of the 1960s,” Sixties Surreal, exh. cat. (New York: Whitney Museum of American Art, 2025). [PDF]

“Public Affections: The Figurative Revelation of Scott Burton’s Late Work,” in Scott Burton: Shape Shift, exh. cat. (St. Louis: Pulitzer Arts Foundation, 2025), 27–37. [PDF]

“Where There’s Smoke: Enduring Inhabitations in Alex Da Corte’s Rubber Pencil Devil,” in Mia Matthias, ed., Alex Da Corte (Potomac, MD: Glenstone Museum, 2025), 277–83. [PDF]

“Marisol’s Accessories and Sculpture’s Genders in the 1960s,” in Lærke Rydal Jørgensen and Kirsten Degel, eds., Marisol, exh. cat. (Humlebæk, Denmark: Louisiana Museum of Art, 2025), 66–73. [PDF]

“Peter Tomka: Souvenir Views,” in Essence Harden and Paulina Pobocha, eds., Made in L.A. 2025, exh. cat. (Hammer Museum UCLA, 2025). [PDF].

“A fixed point for the world to orbit around: Beaux Mendes in conversation with David J. Getsy,” in Essence Harden and Paulina Pobocha, eds., Made in L.A. 2025, exh. cat. (Hammer Museum UCLA, 2025), 167–76. [PDF]

“Afterword,” in Karli Wurzelbacher, ed., Emma Stebbins: Carving Out History, exh. cat. (New York: Heckscher Museum of Art, 2025), 220–22.

“Life Lessons: Larry Mitchell and The Faggots and Their Friends Between Revolutions,” program note for North American premier of The Faggots and Their Friends Between Revolutions, Park Avenue Armory, December 2025. [PDF]

“Artforum Best Books of 2025: Teddy Sandoval and the Butch Gardens School of Art,” Artforum (December 2025): 72. [PDF]