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      <image:title>David J. Getsy</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>With the panelists at MIT’s Wasserman Forum “Future Genders”. Pictured left to right: Kian Goh, Susan Stryker, Shu Lea Cheang, David Getsy, Alok Vaid-Menon, Jacolby Satterwhite, Cassils, Lucas Crawford, Chris E. Vargas.</image:caption>
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    <lastmod>2022-03-23</lastmod>
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      <image:title>The Gutter Art of Stephen Varble</image:title>
      <image:caption>Greg Day, Stephen Varble in the Elizabethan Farthingale, 1975. © Greg Day, 2019</image:caption>
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      <image:title>The Gutter Art of Stephen Varble</image:title>
      <image:caption>The Gutter Art of Stephen Varble at the ONE Archives Gallery &amp; Museum, West Hollywood, California</image:caption>
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      <image:title>The Gutter Art of Stephen Varble - Make it stand out</image:title>
      <image:caption>Schwules Museum, 2021–2022</image:caption>
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      <image:title>The Gutter Art of Stephen Varble</image:title>
      <image:caption>Iceberg Projects, March - April 2021</image:caption>
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      <image:title>The Gutter Art of Stephen Varble</image:title>
      <image:caption>Greg Day discussing his photographs at the opening of The Gutter Art of Stephen Varble at ONE Archives Gallery &amp; Museum</image:caption>
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      <image:title>The Gutter Art of Stephen Varble</image:title>
      <image:caption>ONE Archives Gallery &amp; Museum, 2019</image:caption>
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    <lastmod>2025-01-07</lastmod>
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      <image:title>Stephen Varble Prints and Video from the Early 80s</image:title>
      <image:caption>Stephen Varble, untitled, 1982-83 (after a drawing ca.1981-83). Xerographic print on paper, 11 x 8.5 in. © Stephen Varble</image:caption>
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      <image:caption>installation view, Institute 193</image:caption>
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    <loc>https://davidgetsy.com/jared-buckhiester-love-me-tender</loc>
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    <lastmod>2020-06-17</lastmod>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Subject at 72 MPH, I-85 GA State Line, 2014. Archival ink jet print face-mounted to Plexiglas, 30 x 40 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Twelve Bullies and a Bucket (Revised), 2012. Watercolor on paper, 25.5 x 40 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Untitled, 2009. Pencil and ink on paper, 26 x 22 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Sky, 2009. Pencil and ink on paper, 23.5 x 29 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Left: Jared Buckhiester, Squadron of 12 position 3B, 2012. Watercolor on paper, 34 x 25.5 in.; Right: Jared Buckhiester, Squad D Position F, 2012. Watercolor on paper, 34 x 25 in.; Both © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Drawing from Behind II, 2014. Pastel and collage on paper, 21.375 x 18 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Ice Cream Cone, 2014. Watercolor on paper, 20 x 14 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Untitled, 2015. Watercolor on paper, cotton t-shirt, 49.5 x 38 in. © Jared Buckhiester, 2017</image:caption>
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      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Untold, 2016. Ink and gouache on paper with newsprint collage, 15.5 x 21 in. © Jared Buckhiester, 2017</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1573498760445-BW9EFHIMW2U98OMEZ7UG/IMG_5103.jpg</image:loc>
      <image:title>Jared Buckhiester: Love Me Tender</image:title>
      <image:caption>Jared Buckhiester, Untold, 2016. Ink and gouache on paper with newsprint collage, 15.5 x 21 in. © Jared Buckhiester. With exhibition broadsheet.</image:caption>
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  <url>
    <loc>https://davidgetsy.com/talks</loc>
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      <image:title>Talks - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/abb4bd29-110d-4e17-ae42-94494c400164/Getsy+talk+at+Artists+Space-15+Dec+2023-photo+Sean+Fader.jpg</image:loc>
      <image:title>Talks - Make it stand out</image:title>
      <image:caption>Robert Motherwell Book Award Lecture, Artists Space, 15 December 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1635372252109-YMDR5LTI7RQXPGM5DXIX/180314_Getzy_Lecture_3173-578x719.jpg</image:loc>
      <image:title>Talks - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://davidgetsy.com/essays-sculpture</loc>
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    <lastmod>2024-07-09</lastmod>
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      <image:title>Abstract Bodies endorsements</image:title>
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    <loc>https://davidgetsy.com/about</loc>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>photo: May 2021</image:caption>
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    <loc>https://davidgetsy.com/projects</loc>
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    <lastmod>2026-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1601248354553-B2ZC7ZHZPWUDMXXTH2N3/Davies_HotPeaches+copy.jpg</image:loc>
      <image:title>Current Projects</image:title>
      <image:caption>Diana Davies, The Hot Peaches in Alice and the Great American Sideshow, 1973. [Pictured from left to right: Marsha P. Johnson, Lenny Dean, Alan, Ian McKay (with Lance Norebo behind), and Sister Tui]</image:caption>
    </image:image>
    <image:image>
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      <image:title>Current Projects - Rubbish and Dreams</image:title>
      <image:caption>Jimmy DeSana, Stephen Varble performing Gutter Art, 1975. © Jimmy DeSana Trust.</image:caption>
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    <loc>https://davidgetsy.com/-favorites</loc>
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  <url>
    <loc>https://davidgetsy.com/seeing-commitments-jonah-groeneboers-ethics-of-discernment</loc>
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    <priority>0.75</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402332301-LBK0TL3AS6C6XMS56RG0/10-groeneboer-sun-column-view-2.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Sun Column, 2013. Site-specific installation for raking sunlight, with red thread, tan thread, and four brass bars, 87 x 12 x 12 in. Created for the exhibition The Dislocated Center of the Material World at the Galveston Artist Residency, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402404002-NPGMJVV12K3T598JIJQQ/7-groeneboer-bent-hip.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, bent hip, 2014. Blue-black thread and three brass bars, 84 x 6 x 18 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592401965824-G9FS8MZRK6Q7S44JL58D/5-jgroeneboer_the_step_1.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, The Step, 2012. Green thread, blue thread, and four brass bars, 72 x 24 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402530161-APKB8J6O3RIJZ5FPE3L3/2-jgroeneboer_curve.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Curve, 2013. Black thread and three brass bars, 96 x 24 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402110026-O08Z2XC0XKZN6UK51LMX/4-jgroeneboer_curve_detail2.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Curve, 2013 (detail). Black thread and three brass bars, 96 x 24 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402145299-7FAXNL2575XGKY7V99T4/13-jg_blue_green.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Blue / Green, from Blue Shift, 2015. Oil on linen painting and fiber-based silver gelatin prints, 14 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402214180-F2N1QJTXHDVTLN3D3LMG/15-jg_red_fus.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Red / Fuchsia, from Blue Shift, 2015. Oil on linen painting and fiber-based silver gelatin print, 14 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592403023489-UZXJ88ABXUU2DOEK4RDK/12-jg_tur_mag.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Turquoise / Magenta, from Blue Shift, 2015. Oil on linen painting and fiber-based silver gelatin print, 14 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592403448876-4WJB1Z0FVN5PF8JZBCDU/11-installation-at-platform.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Installation view of "Jonah Groeneboer: Blue Shift" at Platform Centre for Photographic and Digital Arts, Winnipeg, 2015. Photograph courtesy Platform Centre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1592402290701-FDMQ9MGJTVPNZZLRVJSU/9-groeneboer-sun-column-view-1.jpg</image:loc>
      <image:title>Seeing Commitments: Jonah Groeneboer's Ethics of Discernment</image:title>
      <image:caption>Jonah Groeneboer, Sun Column, 2013. Site-specific installation for raking sunlight, with red thread, tan thread, and four brass bars, 87 x 12 x 12 in. Created for the exhibition The Dislocated Center of the Material World at the Galveston Artist Residency, 2013.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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  </url>
  <url>
    <loc>https://davidgetsy.com/forthcoming-essays</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-03</lastmod>
  </url>
  <url>
    <loc>https://davidgetsy.com/books</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-05</lastmod>
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      <image:title>David Getsy Books - Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender</image:title>
      <image:caption />
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      <image:title>David Getsy Books - Queer [Documents of Contemporary Art]</image:title>
      <image:caption />
    </image:image>
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      <image:title>David Getsy Books - Magic Episodes and Other Synchronicities: The Transhemispheric Correspondence of Scott Burton and Eduardo Costa, 1970–1980</image:title>
      <image:caption />
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      <image:title>David Getsy Books - Scott Burton: Collected Writings on Art and Performance, 1965–1975</image:title>
      <image:caption />
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      <image:title>David Getsy Books - Rodin: Sex and the Making of Modern Sculpture</image:title>
      <image:caption />
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      <image:title>David Getsy Books - From Diversion to Subversion: Games, Play, and Twentieth-Century Art</image:title>
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      <image:title>David Getsy Books - Body Doubles: Sculpture in Britain, 1877–1905</image:title>
      <image:caption />
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      <image:title>David Getsy Books - Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880–1930</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/abstract-bodies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
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      <image:title>Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender</image:title>
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  <url>
    <loc>https://davidgetsy.com/scott-burton-queer-behavior</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/401c8b8f-7b3e-40fb-b29c-9434ab6f2c87/Queer+Behavior+Cover+w+Seal.jpg</image:loc>
      <image:title>Queer Behavior: Scott Burton and Performance Art</image:title>
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  <url>
    <loc>https://davidgetsy.com/rodin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1639020387520-1YOKFZO2PUR2LZMNLGMG/Getsy+Rodin.jpg</image:loc>
      <image:title>Rodin: Sex and the Making of Modern Sculpture</image:title>
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  </url>
  <url>
    <loc>https://davidgetsy.com/queer-documents</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1639021214739-O7UP7W0H6JU7LVLXA7KG/Getsy-Queer-MIT.jpg</image:loc>
      <image:title>Queer (Documents of Contemporary Art)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/scott-burton-collected-writings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1639067100005-81O4UNWC121MI1UXH8MS/Burton+Writings+cover.jpg</image:loc>
      <image:title>Scott Burton Collected Writings</image:title>
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  </url>
  <url>
    <loc>https://davidgetsy.com/from-diversion-to-subversion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1639086599353-RMOF60MPZYSFG2I951UW/image.jpeg</image:loc>
      <image:title>From Diversion to Subversion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/body-doubles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1639087287872-LZ7XY9Y8FSGT727O1INN/BodyDoublesCover.jpg</image:loc>
      <image:title>Body Doubles</image:title>
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  </url>
  <url>
    <loc>https://davidgetsy.com/sculpture-and-the-pursuit-of-a-modern-ideal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/1640057883201-TV2WN4FFQR4GFI2GYPF9/413gJTad4oL._SX322_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880–1930</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/david-getsy-abstract-bodies-pdf</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-03</lastmod>
  </url>
  <url>
    <loc>https://davidgetsy.com/david-getsy-abstract-bodies-review</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-09</lastmod>
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  <url>
    <loc>https://davidgetsy.com/press-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-10</lastmod>
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  <url>
    <loc>https://davidgetsy.com/-scottburton</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/14bebf2f-44f0-47c5-8717-e9cc48eda7e3/1995+AMAM+exh-Presence+in+Minimal+and+Postminimal+Art.jpg</image:loc>
      <image:title>• Scott Burton Art and Performance - Make it stand out</image:title>
      <image:caption>Scott Burton’s Bronze Chair (1975/79) in the exhibition Presence in Minimal and Post-Minimal Art, curated by David Getsy for the Allen Memorial Art Museum at Oberlin College in 1995. Other works (from left to right after Burton): David Diao, Untitled (1969); Jackie Winsor, Four Corners (1972); Richard Tuttle, Water (1965); Donald Judd, Untitled (1976); and Richard Serra, Two Cuts (1971)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/home-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
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      <image:title>Home (Copy)</image:title>
      <image:caption>David J. Getsy with Scott Burton’s Two-Part Chair (1986). Photo: Justin Staggs, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/44633557-3527-47b2-a75d-84a738f596eb/GF_Social-Media_Fellow-Badges2.jpg</image:loc>
      <image:title>Home (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/644963cf-5297-445e-a569-970ceed302a8/Queer+Behavior+Cover+w+Seal.jpg</image:loc>
      <image:title>Home (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://davidgetsy.com/magic-episodes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d40a0bea6305d0001bc1663/0636b94a-6a5c-4c81-ba5e-cdafdbcc25c5/Burton-Costa+cover.png</image:loc>
      <image:title>Magic Episodes: Correspondence of Scott Burton and Eduardo Costa</image:title>
    </image:image>
  </url>
</urlset>

